isolarii
  1. isolarii are released solely via subscription.
  2. You will receive isolarii by mail approximately every two months—and forewords by email.
  3. You will be charged for your first book immediately after subscribing, and then three weeks before the next is mailed to you.
  4. You can pause or cancel isolarii by emailing support@isolarii.com—the current book will be your last.
  5. isolarii cannot be returned or refunded.

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IN THE FACE OF WAR
by Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko

in partnership with the Office of the President of Ukraine and the PinchukArtCentre

Afterwords by Timothy Snyder & Yuval Noah Harari and Nan Goldin

(6)

THE ARCHIPELAGO CONVERSATIONS
by Édouard Glissant and Hans Ulrich Obrist

Foreword by Trinh T. Minh-ha

(5)

MODERN ANIMAL
by Yevgenia Belorusets

Forewords by Peter Greenaway and Nikita Kadan

(4)

STREET COP
by Robert Coover and Art Spiegelman

(3)

PURPLE PERILLA
by Can Xue

Forewords by Warren Ellis and Scholastique Mukasonga

(2)

F LETTER: NEW RUSSIAN FEMINIST POETRY
ed. by Galina Rymbu, Eugene Ostashevsky, and Ainsley Morse

Forewords by Eileen Myles and Amia Srinivasan

(1)

SALMON: A RED HERRING
by Cooking Sections

Forewords by Hannah Landecker, Bruno Latour, Hans Ulrich Obrist and David Zilber

FROM THE EDITORS

The humanism of the past five hundred years is dead. Believing man was exceptional, it opened the abyss of extinction. A new approach is needed to re-enchant the world and establish the commonality of all life on Earth. This is not just the task of politics and philosophy. It requires the effort of all those who tear down convention in order to preserve what is meaningful. That is, the preservation not just of environments, but myth, irrationality, autonomy, and joy—whether by direct or poetic means. New islands—of thought, literature, art—are already emerging. We find these points of orientation, mapping a scattered community that spans continents and disciplines. To represent a world of many worlds, not a globe. More…

Our books revive the extinct genre of isolarii—the ‘island books’ that emerged at the start of the Renaissance. Bound together were poems, stories, and artworks—each a supposed island, a space that held a singular idea.

We take up this genre-bending format to navigate the turbulence of our times. Each book is a ready-to-hand island. Together, they are a growing archipelago. Islands from which to view the world anew.